{"title":"Featured T-Rex Pedals","description":"\u003cp\u003eA curated selection of featured T-Rex pedals available through T-Rex Effects USA.\u003c\/p\u003e","products":[{"product_id":"binson-stereophonica","title":"Binson Stereophonica","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eThe World’s First True Stereo Magnetic Drum Delay\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eReal magnetic drum. Four independently pannable playback heads. True balanced stereo. Handmade in Denmark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Binson Stereophonica takes the legendary magnetic-drum echo concept into an entirely new dimension.\u003c\/p\u003e\n\u003cp\u003eAt its heart is a real rotating magnetic drum — not a digital simulation — with two selectable record heads and four independently controlled playback heads.\u003c\/p\u003e\n\u003cp\u003eBut Stereophonica goes further.\u003c\/p\u003e\n\u003cp\u003eEach playback head has its own \u003cstrong\u003eVolume and Pan control\u003c\/strong\u003e, allowing individual echoes to be positioned anywhere across the stereo field. From classic drum echo to wide, moving rhythmic textures, Stereophonica turns magnetic delay into a true stereo instrument. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eReal Magnetic Drum. Real Stereo Movement.\u003c\/h2\u003e\n\u003cp\u003eTraditional multi-head delays create different repeats in time.\u003c\/p\u003e\n\u003cp\u003eStereophonica lets you control those repeats in \u003cstrong\u003etime and space\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEach of the four playback heads can be independently switched, leveled, and panned.\u003c\/p\u003e\n\u003cp\u003eThat means one head can appear on the left.\u003c\/p\u003e\n\u003cp\u003eAnother can answer from the right.\u003c\/p\u003e\n\u003cp\u003eOthers can sit between them.\u003c\/p\u003e\n\u003cp\u003eCombine the heads and the echoes can move across the stereo image as part of the composition itself.\u003c\/p\u003e\n\u003cp\u003eThis is not stereo added after the delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo is built into the architecture of the instrument.\u003c\/strong\u003e\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTwo Record Heads\u003c\/h2\u003e\n\u003cp\u003eStereophonica includes two selectable record heads:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHORT\u003c\/strong\u003e\u003cbr\u003eFor tighter delay structures and faster rhythmic patterns.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLONG\u003c\/strong\u003e\u003cbr\u003eFor longer spacing and more expansive echoes.\u003c\/p\u003e\n\u003cp\u003eCombined with the four playback heads and variable drum speed, these two recording positions give you a remarkably wide range of rhythmic relationships.\u003c\/p\u003e\n\u003ch2\u003eFour Independent Playback Heads\u003c\/h2\u003e\n\u003cp\u003eThe four playback heads are the heart of the Stereophonica.\u003c\/p\u003e\n\u003cp\u003eEach one provides:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndependent On\/Off control\u003c\/li\u003e\n\u003cli\u003eIndependent playback level\u003c\/li\u003e\n\u003cli\u003eIndependent stereo pan position\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUse a single head for a focused echo.\u003c\/p\u003e\n\u003cp\u003eCombine two for rhythmic interplay.\u003c\/p\u003e\n\u003cp\u003eBring in all four and build complex patterns that spread naturally across the stereo field.\u003c\/p\u003e\n\u003cp\u003eThe interaction between the physical drum, record head, playback heads, and feedback system means that the resulting textures can feel alive in a way conventional delay architectures do not.\u003c\/p\u003e\n\u003ch2\u003eDrive the Magnetic Drum\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRecord Level\u003c\/strong\u003e control determines how strongly the signal is recorded onto the magnetic drum.\u003c\/p\u003e\n\u003cp\u003eKeep it restrained for cleaner echoes.\u003c\/p\u003e\n\u003cp\u003ePush it harder and the magnetic recording stage begins adding saturation, compression, and harmonic character.\u003c\/p\u003e\n\u003cp\u003eThat relationship between recording level and the physical magnetic medium is part of what makes a real drum echo behave differently from a digital model. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eVariable Drum Speed\u003c\/h2\u003e\n\u003cp\u003eThe drum itself becomes part of the performance.\u003c\/p\u003e\n\u003cp\u003eChanging the drum speed changes the timing of the entire echo structure and can introduce natural pitch movement as the mechanical system accelerates or slows.\u003c\/p\u003e\n\u003cp\u003eStereophonica also supports \u003cstrong\u003eexpression-pedal control of drum speed\u003c\/strong\u003e, allowing you to manipulate that movement in real time. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eRepeats or Swell\u003c\/h2\u003e\n\u003cp\u003eSwitch between traditional repeating echoes and \u003cstrong\u003eSwell\u003c\/strong\u003e behavior.\u003c\/p\u003e\n\u003cp\u003eIn Repeats mode, feedback creates the familiar regeneration of a multi-head drum delay.\u003c\/p\u003e\n\u003cp\u003eIn Swell mode, the echoes can build into denser, more atmospheric textures.\u003c\/p\u003e\n\u003cp\u003eFrom subtle ambience to rhythmic patterns to expansive evolving soundscapes, the same mechanical system can behave very differently depending on how you drive it.\u003c\/p\u003e\n\u003ch2\u003eTrue Balanced Stereo I\/O\u003c\/h2\u003e\n\u003cp\u003eStereophonica was designed as much for the studio as for the adventurous musician.\u003c\/p\u003e\n\u003cp\u003eIt provides \u003cstrong\u003ebalanced left and right inputs and outputs\u003c\/strong\u003e, along with unbalanced stereo connections and a separate instrument input. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat allows the Stereophonica to integrate directly with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecording consoles\u003c\/li\u003e\n\u003cli\u003eAudio interfaces\u003c\/li\u003e\n\u003cli\u003eStudio patchbays\u003c\/li\u003e\n\u003cli\u003eSynthesizers\u003c\/li\u003e\n\u003cli\u003eKeyboards\u003c\/li\u003e\n\u003cli\u003eGuitar rigs\u003c\/li\u003e\n\u003cli\u003eStereo pedalboards\u003c\/li\u003e\n\u003cli\u003eOutboard-effects loops\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt is not simply a guitar pedal with stereo jacks.\u003c\/p\u003e\n\u003cp\u003eIt is a \u003cstrong\u003estereo studio processor built around a real magnetic recording system\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2\u003eKill Dry for Parallel Processing\u003c\/h2\u003e\n\u003cp\u003eStereophonica includes \u003cstrong\u003eKill Dry\u003c\/strong\u003e, allowing the direct signal to be removed from the output.\u003c\/p\u003e\n\u003cp\u003eThat makes it particularly useful in professional studio environments where the unit is used on an auxiliary send or parallel effects path.\u003c\/p\u003e\n\u003cp\u003eSend a signal to the Stereophonica, return only the processed magnetic echoes, and control the dry\/effect balance from the console or DAW.\u003c\/p\u003e\n\u003cp\u003eIt is a small feature with major implications for studio integration. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFull MIDI Implementation\u003c\/h2\u003e\n\u003cp\u003eThe Stereophonica brings its mechanical echo system into a modern control environment with \u003cstrong\u003eMIDI In and Out\u003c\/strong\u003e and full MIDI implementation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat allows the instrument to integrate with sophisticated studio, switching, and performance systems while preserving the physical magnetic-drum architecture at its core.\u003c\/p\u003e\n\u003ch2\u003eExpression Control\u003c\/h2\u003e\n\u003cp\u003eAn expression-pedal input provides real-time control of \u003cstrong\u003edrum speed and feedback\u003c\/strong\u003e, making the mechanical behavior of the echo part of the performance itself. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than simply recalling another preset, you can physically manipulate how the machine responds.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWorld’s first true stereo magnetic drum delay\u003c\/li\u003e\n\u003cli\u003eReal rotating magnetic drum\u003c\/li\u003e\n\u003cli\u003eInspired by the legendary Binson Echorec\u003c\/li\u003e\n\u003cli\u003eTwo selectable record heads: Short and Long\u003c\/li\u003e\n\u003cli\u003eFour independently switchable playback heads\u003c\/li\u003e\n\u003cli\u003eIndividual Volume control for every playback head\u003c\/li\u003e\n\u003cli\u003eIndividual Pan control for every playback head\u003c\/li\u003e\n\u003cli\u003eWide stereo imaging\u003c\/li\u003e\n\u003cli\u003eMagnetic saturation and harmonic character\u003c\/li\u003e\n\u003cli\u003eVariable drum speed\u003c\/li\u003e\n\u003cli\u003eExpression control for speed and feedback\u003c\/li\u003e\n\u003cli\u003eRepeat and Swell modes\u003c\/li\u003e\n\u003cli\u003eEcho Tone control\u003c\/li\u003e\n\u003cli\u003eKill Dry operation\u003c\/li\u003e\n\u003cli\u003eTrue balanced stereo inputs and outputs\u003c\/li\u003e\n\u003cli\u003eUnbalanced stereo inputs and outputs\u003c\/li\u003e\n\u003cli\u003eDedicated instrument input\u003c\/li\u003e\n\u003cli\u003eFull MIDI implementation\u003c\/li\u003e\n\u003cli\u003eIncluded 24V DC power supply\u003c\/li\u003e\n\u003cli\u003eHandcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Electromechanical stereo magnetic drum delay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord heads:\u003c\/strong\u003e 2 selectable — Short \/ Long\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback heads:\u003c\/strong\u003e 4 independently switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback controls:\u003c\/strong\u003e Individual Volume and Pan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e greater than 500kΩ @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e less than 1kΩ @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e approximately 2.5–3.0 Vp-p; instrument input adjustable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInstrument input:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced inputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnbalanced inputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced outputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnbalanced outputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpression input:\u003c\/strong\u003e Drum Speed \/ Feedback control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e In \/ Out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 24V DC, center negative\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCenter pin:\u003c\/strong\u003e 2.0mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 350mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 9.84 × 5.59 × 8.81 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 250 × 142 × 224 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 7.36 lb \/ 3.34 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Handcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e24V DC \/ 350mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStereophonica uses a dedicated 24V DC, center-negative power supply, which is included with the unit. T-Rex specifically recommends using the original power supply. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBecause this is a specialized electromechanical studio instrument, we recommend using the supplied T-Rex power adapter rather than attempting to power it from a conventional pedalboard supply.\u003c\/p\u003e\n\u003cp\u003eThis is another example of the Power Budget principle:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage must match.\u003cbr\u003eAC\/DC must match.\u003cbr\u003ePolarity must match.\u003cbr\u003eAnd sufficient current must be available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"UTF-8\"\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandmade in Denmark\u003c\/h2\u003e\n\u003cp\u003eStereophonica is handcrafted in Denmark by T-Rex Effects. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInside is a mechanical magnetic recording system: a rotating drum, recording heads, playback heads, precision mechanics, analog electronics, and modern control systems working together.\u003c\/p\u003e\n\u003cp\u003eThis is not merely another DSP effect in a larger enclosure.\u003c\/p\u003e\n\u003cp\u003eIt is a real electromechanical instrument built for studios and musicians who want to interact with sound physically.\u003c\/p\u003e\n\u003ch1\u003eEcho Becomes Space\u003c\/h1\u003e\n\u003cp\u003eThe original Echorec made delay rhythmic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereophonica makes it spatial.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour playback heads.\u003c\/p\u003e\n\u003cp\u003eFour independent pan positions.\u003c\/p\u003e\n\u003cp\u003eA real magnetic drum.\u003c\/p\u003e\n\u003cp\u003eTrue stereo signal paths.\u003c\/p\u003e\n\u003cp\u003eModern studio control.\u003c\/p\u003e\n\u003cp\u003eWhat began as one of the most distinctive echo concepts of the 1950s now becomes something the original designers could never have built:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ea true stereo magnetic-drum instrument.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47019528388781,"sku":"10205","price":2999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Binson-Stereophonica_Front_1680x_e7032593-2f42-4e69-b548-b7f2b4001647.png?v=1785965852"},{"product_id":"roommate-dluxe","title":"Roommate D'Luxe Tube Driven Reverb","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eTube-Driven Reverb with Real Depth and Warmth\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eReal tube signal path. Eight reverb algorithms. Shimmer with expression control. Handmade in Denmark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex RoomMate D’Luxe is the third generation of one of the company’s most distinctive reverb designs.\u003c\/p\u003e\n\u003cp\u003eAt its heart is a real tube-driven signal path that adds warmth, softness, and harmonic color to the reverb instead of treating ambience as a purely digital effect. The result is a reverb that feels musical, responsive, and connected to the instrument. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eReverb Is More Than an Effect\u003c\/h2\u003e\n\u003cp\u003eReverb creates the space around your sound.\u003c\/p\u003e\n\u003cp\u003eRoomMate D’Luxe is designed to make that space feel natural and playable—from a tight room or vintage spring to a large hall or expansive shimmer.\u003c\/p\u003e\n\u003cp\u003eThe tube stage adds a gentle harmonic character to the signal, helping the effect feel less detached from the dry guitar and more like part of the overall tone. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eEight Reverb Algorithms\u003c\/h2\u003e\n\u003cp\u003eRoomMate D’Luxe provides \u003cstrong\u003eeight reverb algorithms\u003c\/strong\u003e, giving you a broad palette of traditional and atmospheric sounds. T-Rex specifically highlights classic Room, Spring, Plate, Hall, and Shimmer territory in the current design. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUse shorter settings for subtle ambience and dimension, or extend the decay into larger, more immersive spaces.\u003c\/p\u003e\n\u003ch2\u003eVintage Spring Character\u003c\/h2\u003e\n\u003cp\u003eThe Spring mode is designed to capture the lively character of classic amplifier spring reverb.\u003c\/p\u003e\n\u003cp\u003eKeep the decay shorter for a tighter, splashier response.\u003c\/p\u003e\n\u003cp\u003eIncrease it for a longer, more expansive spring sound.\u003c\/p\u003e\n\u003cp\u003eIt is especially well suited to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSurf\u003c\/li\u003e\n\u003cli\u003eRockabilly\u003c\/li\u003e\n\u003cli\u003eRoots\u003c\/li\u003e\n\u003cli\u003eBlues\u003c\/li\u003e\n\u003cli\u003eVintage-inspired clean tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eShimmer Under Your Foot\u003c\/h2\u003e\n\u003cp\u003eRoomMate D’Luxe adds a dedicated \u003cstrong\u003eShimmer\u003c\/strong\u003e reverb mode, and the Shimmer amount can be controlled with an external expression pedal. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat means you can start with a conventional reverb and gradually bring the shimmer into the sound while you play.\u003c\/p\u003e\n\u003cp\u003eUse it subtly for lift and dimension, or push it into wide, floating ambient textures.\u003c\/p\u003e\n\u003ch2\u003eSimple, Musical Controls\u003c\/h2\u003e\n\u003cp\u003eRoomMate D’Luxe gives you direct control over the parameters that matter most.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDECAY\u003c\/strong\u003e\u003cbr\u003eControls how long the reverb continues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTONE\u003c\/strong\u003e\u003cbr\u003eLets you warm or brighten the reverb character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIX \/ LEVEL\u003c\/strong\u003e\u003cbr\u003eDetermines how strongly the effect sits around the dry signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMODE\u003c\/strong\u003e\u003cbr\u003eSelects the reverb algorithm.\u003c\/p\u003e\n\u003cp\u003eThe layout is designed to stay immediate and musical rather than forcing you through menus or preset systems.\u003c\/p\u003e\n\u003ch2\u003eReal Tube-Driven Sound Technology\u003c\/h2\u003e\n\u003cp\u003eThe defining feature of the RoomMate family is the real tube in the signal path.\u003c\/p\u003e\n\u003cp\u003eEarlier RoomMate designs operated the tube internally at high voltage, and T-Rex continues to position the D’Luxe around its tube-driven sound technology. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat tube stage contributes warmth and natural compression to the overall response, giving RoomMate D’Luxe a different feel from a conventional digital reverb pedal.\u003c\/p\u003e\n\u003ch2\u003eBuilt for Players Who Want Reverb to Feel Like Part of the Amp\u003c\/h2\u003e\n\u003cp\u003eRoomMate D’Luxe is especially useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAmplifiers without built-in reverb\u003c\/li\u003e\n\u003cli\u003ePlayers who want more control than an onboard spring tank\u003c\/li\u003e\n\u003cli\u003eVintage-style rigs\u003c\/li\u003e\n\u003cli\u003eAmbient guitar\u003c\/li\u003e\n\u003cli\u003eStudio pedalboards\u003c\/li\u003e\n\u003cli\u003ePlayers who want real tube character in the effects chain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt can cover subtle always-on ambience just as comfortably as large atmospheric sounds.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eReal tube-driven reverb technology\u003c\/li\u003e\n\u003cli\u003eEight reverb algorithms\u003c\/li\u003e\n\u003cli\u003eRoom, Spring, Plate, Hall, and Shimmer-style sounds\u003c\/li\u003e\n\u003cli\u003eExpanded reverb controls\u003c\/li\u003e\n\u003cli\u003eExpression-pedal input for Shimmer\u003c\/li\u003e\n\u003cli\u003eTone shaping\u003c\/li\u003e\n\u003cli\u003eAdjustable decay\u003c\/li\u003e\n\u003cli\u003e12V DC operation\u003c\/li\u003e\n\u003cli\u003eDedicated power supply included\u003c\/li\u003e\n\u003cli\u003eCompact dual-footswitch enclosure\u003c\/li\u003e\n\u003cli\u003eHandcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Tube-driven digital reverb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverb algorithms:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;1MΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 12V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e 2.1mm barrel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 600mA at 12V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum supply voltage:\u003c\/strong\u003e 10.8V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum supply voltage:\u003c\/strong\u003e 12.5V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 2.36 × 4.45 × 4.61 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 60 × 113 × 117 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Handcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e12V DC \/ 600mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRoomMate D’Luxe draws considerably more current than a conventional low-current stompbox, largely because of its tube-driven architecture.\u003c\/p\u003e\n\u003cp\u003eThe correct T-Rex 12V DC power supply is included with the pedal, so it is ready to use out of the box. T-Rex’s current replacement supply provides 12V DC at 1A and is specifically listed as compatible with RoomMate. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Power Budget rule still applies:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatch the voltage.\u003cbr\u003eMatch AC or DC.\u003cbr\u003eMatch the polarity.\u003cbr\u003eMake sure enough current is available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 12V output capable of only 300mA or 500mA does not provide enough current budget for a 600mA pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandcrafted in Denmark\u003c\/h2\u003e\n\u003cp\u003eRoomMate D’Luxe is designed and hand-built in Denmark. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat makes it part of the more ambitious side of the T-Rex line: a product that combines modern reverb processing with real tube circuitry and hands-on Danish construction.\u003c\/p\u003e\n\u003ch1\u003eGive Your Sound a Room to Live In\u003c\/h1\u003e\n\u003cp\u003eSome reverbs simply add an effect behind the guitar.\u003c\/p\u003e\n\u003cp\u003eRoomMate D’Luxe is designed to make the space itself part of the tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarm tube character.\u003cbr\u003eClassic reverb sounds.\u003cbr\u003eModern shimmer.\u003cbr\u003eImmediate control.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47019771199661,"sku":"10230","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-RoomMate-DLuxe_Front2_1680x_a991041c-84c2-458f-9629-5f97cea6ec77.png?v=1785781136"},{"product_id":"fuzztopia","title":"Fuzztopia Fuzz \u0026 Distortion","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eFuzz and Distortion. Separate or Together.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTwo gain engines. Independent Blend controls. One compact pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Fuzztopia brings two distinct gain voices together in one pedal: a vintage-inspired \u003cstrong\u003ehybrid fuzz\u003c\/strong\u003e and a warm, classic \u003cstrong\u003edistortion\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eUse either side independently, or combine them for thicker, more complex gain textures.\u003c\/p\u003e\n\u003cp\u003eEach section has its own controls for gain, tone, blend, and volume, giving you the freedom to build two very different sounds—or stack them into something much bigger. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTwo Different Gain Voices\u003c\/h2\u003e\n\u003cp\u003eFuzztopia is built around two complementary circuits.\u003c\/p\u003e\n\u003ch3\u003eFuzz\u003c\/h3\u003e\n\u003cp\u003eThe Fuzz side moves from subtle bite into full, saturated fuzz.\u003c\/p\u003e\n\u003cp\u003eUse it for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003evintage-inspired fuzz textures;\u003c\/li\u003e\n\u003cli\u003ethick rhythm sounds;\u003c\/li\u003e\n\u003cli\u003esustaining leads;\u003c\/li\u003e\n\u003cli\u003eaggressive harmonic breakup;\u003c\/li\u003e\n\u003cli\u003emore experimental gain tones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDistortion\u003c\/h3\u003e\n\u003cp\u003eThe Distortion side provides a smoother, warmer gain voice with the focus and punch of a classic distortion pedal.\u003c\/p\u003e\n\u003cp\u003eUse it on its own for a more controlled drive sound, or combine it with the Fuzz section when you want additional density and saturation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eBlend Your Clean Signal Back In\u003c\/h2\u003e\n\u003cp\u003eOne of Fuzztopia’s most useful features is the dedicated \u003cstrong\u003eBlend control on each section\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eInstead of forcing your entire signal through the fuzz or distortion circuit, Blend lets you mix your original clean tone back into the sound.\u003c\/p\u003e\n\u003cp\u003eThat can preserve:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003epick attack;\u003c\/li\u003e\n\u003cli\u003elow-end definition;\u003c\/li\u003e\n\u003cli\u003echord clarity;\u003c\/li\u003e\n\u003cli\u003eplaying dynamics;\u003c\/li\u003e\n\u003cli\u003ethe fundamental character of the guitar.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is especially useful when heavier fuzz settings begin to obscure articulation.\u003c\/p\u003e\n\u003cp\u003eAnd because both the Fuzz and Distortion sides have their own Blend control, you can determine independently how much clean signal remains in each sound. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eBuild Two Sounds\u003c\/h2\u003e\n\u003cp\u003eEach side of Fuzztopia gives you its own dedicated controls.\u003c\/p\u003e\n\u003ch3\u003eFuzz Section\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFUZZ\u003c\/strong\u003e\u003cbr\u003eControls the intensity and saturation of the fuzz circuit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTONE\u003c\/strong\u003e\u003cbr\u003eShapes the brightness and character of the fuzz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBLEND\u003c\/strong\u003e\u003cbr\u003eMixes the clean guitar signal with the fuzz signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVOLUME\u003c\/strong\u003e\u003cbr\u003eSets the output level of the Fuzz section.\u003c\/p\u003e\n\u003ch3\u003eDistortion Section\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDISTORTION\u003c\/strong\u003e\u003cbr\u003eControls the amount of distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTONE\u003c\/strong\u003e\u003cbr\u003eShapes the overall frequency balance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBLEND\u003c\/strong\u003e\u003cbr\u003eMixes your clean signal with the distortion signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVOLUME\u003c\/strong\u003e\u003cbr\u003eSets the output level of the Distortion section. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eUse Them Separately\u003c\/h2\u003e\n\u003cp\u003eDedicated footswitches let you engage the Fuzz and Distortion sections independently.\u003c\/p\u003e\n\u003cp\u003eThat gives you three fundamental gain states from a single pedal:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDistortion only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFuzz only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFuzz + Distortion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSo Fuzztopia can replace multiple individual gain pedals while keeping the control layout immediate and easy to understand. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eOr Stack Them Together\u003c\/h2\u003e\n\u003cp\u003eEngage both sides and Fuzztopia becomes something larger.\u003c\/p\u003e\n\u003cp\u003eThe two gain engines can be stacked to create denser, more harmonically complex distortion and fuzz textures than either section produces alone.\u003c\/p\u003e\n\u003cp\u003eA rear-panel Link function determines whether the effects operate independently or in the linked configuration, adding another layer of flexibility to how the two circuits interact. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFrom Subtle Bite to Saturated Fuzz\u003c\/h2\u003e\n\u003cp\u003eFuzztopia is deliberately broad.\u003c\/p\u003e\n\u003cp\u003eAt restrained settings, the clean Blend controls let you add gain around the edges of the original guitar sound.\u003c\/p\u003e\n\u003cp\u003ePush the gain and reduce the clean blend, and the pedal moves into much thicker distortion and fuzz territory.\u003c\/p\u003e\n\u003cp\u003eThat makes it useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlues rock\u003c\/li\u003e\n\u003cli\u003eClassic rock\u003c\/li\u003e\n\u003cli\u003eAlternative\u003c\/li\u003e\n\u003cli\u003eGrunge\u003c\/li\u003e\n\u003cli\u003eGarage rock\u003c\/li\u003e\n\u003cli\u003ePsychedelic textures\u003c\/li\u003e\n\u003cli\u003eHeavy rhythm sounds\u003c\/li\u003e\n\u003cli\u003eSustaining lead tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHybrid fuzz and classic distortion in one pedal\u003c\/li\u003e\n\u003cli\u003eIndependent Fuzz and Distortion sections\u003c\/li\u003e\n\u003cli\u003eIndependent footswitches\u003c\/li\u003e\n\u003cli\u003eDedicated gain control for each section\u003c\/li\u003e\n\u003cli\u003eDedicated Tone control for each section\u003c\/li\u003e\n\u003cli\u003eDedicated Blend control for each section\u003c\/li\u003e\n\u003cli\u003eDedicated Volume control for each section\u003c\/li\u003e\n\u003cli\u003eClean-signal blending for added clarity and dynamics\u003c\/li\u003e\n\u003cli\u003eFuzz and Distortion can be used separately or together\u003c\/li\u003e\n\u003cli\u003eRear Link function\u003c\/li\u003e\n\u003cli\u003eCompact dual-footswitch metal enclosure\u003c\/li\u003e\n\u003cli\u003e9V DC operation\u003c\/li\u003e\n\u003cli\u003e60mA current draw \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffect types:\u003c\/strong\u003e Hybrid fuzz + distortion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Fuzz, Tone, Blend, Volume \/ Distortion, Tone, Blend, Volume\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFootswitches:\u003c\/strong\u003e Fuzz On\/Off, Distortion On\/Off\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;1MΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 9V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e 2.1mm barrel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 60mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 2.36 × 4.45 × 4.61 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 60 × 113 × 117 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approximately 16.1 oz \/ 457g \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e9V DC \/ 60mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFuzztopia is easy to integrate into a conventional pedalboard power system.\u003c\/p\u003e\n\u003ch3\u003eFuelTank Classic\u003c\/h3\u003e\n\u003cp\u003eFuzztopia uses:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e60mA of the shared 500mA 9V budget\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThat leaves:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e440mA remaining\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003efor other compatible pedals.\u003c\/p\u003e\n\u003cp\u003e✓ Compatible\u003c\/p\u003e\n\u003ch3\u003eFuelTank Junior\u003c\/h3\u003e\n\u003cp\u003eOne isolated Junior output provides up to:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e120mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFuzztopia requires:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e60mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e✓ Compatible\u003c\/p\u003e\n\u003ch3\u003eFuelTank Chameleon\u003c\/h3\u003e\n\u003cp\u003eA standard 9V Chameleon output provides up to:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e300mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFuzztopia requires:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e60mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e✓ Compatible\u003c\/p\u003e\n\u003cp\u003eRemember: the pedal only draws the current it needs.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1\u003eFind Your Own Kind of Dirty\u003c\/h1\u003e\n\u003cp\u003eSometimes you want distortion.\u003c\/p\u003e\n\u003cp\u003eSometimes you want fuzz.\u003c\/p\u003e\n\u003cp\u003eSometimes you want both.\u003c\/p\u003e\n\u003cp\u003eFuzztopia gives you two different gain engines, independent control over each one, and the ability to blend your clean signal back into both.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuild the sound. Blend the attack. Stack the dirt.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47019993170093,"sku":"10220","price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Fuzztopia_Front2_1680x_47e79e51-7ac4-4480-b6ee-7f5b1fe22ddd.png?v=1785794702"},{"product_id":"twinblaze","title":"Twin Blaze Tube Distortion","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eTwo Channels. Real Tube. Serious Gain.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eReal 12AX7 tube. Dual channels. Crunch and Lead modes. 20dB clean boost.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex TwinBlaze brings the feel and response of a tube-driven amplifier front end to your pedalboard.\u003c\/p\u003e\n\u003cp\u003eAt its heart is a genuine \u003cstrong\u003e12AX7 \/ ECC83 preamp tube\u003c\/strong\u003e operating at high voltage, delivering the harmonic richness, compression, headroom, and touch sensitivity associated with real tube circuitry. From crisp breakup and bluesy crunch to saturated hard-rock lead tones, TwinBlaze is designed to feel less like a conventional distortion pedal and more like an amp channel under your foot. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTwo Complete Channels\u003c\/h2\u003e\n\u003cp\u003eTwinBlaze gives you \u003cstrong\u003etwo independently adjustable channels\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEach channel has its own:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain\u003c\/li\u003e\n\u003cli\u003eBass\u003c\/li\u003e\n\u003cli\u003eMiddle\u003c\/li\u003e\n\u003cli\u003eTreble\u003c\/li\u003e\n\u003cli\u003ePresence\u003c\/li\u003e\n\u003cli\u003eLevel\u003c\/li\u003e\n\u003cli\u003eCrunch \/ Lead mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThat means you can build two completely different sounds and switch between them instantly. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSet one channel for open rhythm crunch.\u003c\/p\u003e\n\u003cp\u003eSet the other for saturated lead.\u003c\/p\u003e\n\u003cp\u003eOr configure both around different guitars, amplifiers, or gain structures.\u003c\/p\u003e\n\u003ch2\u003eCrunch or Lead\u003c\/h2\u003e\n\u003cp\u003eEach channel has its own \u003cstrong\u003eCrunch \/ Lead\u003c\/strong\u003e switch.\u003c\/p\u003e\n\u003ch3\u003eCrunch\u003c\/h3\u003e\n\u003cp\u003eUse Crunch mode for lower-gain sounds, edge-of-breakup tones, blues, classic-rock rhythm, and dynamic amp-like drive.\u003c\/p\u003e\n\u003ch3\u003eLead\u003c\/h3\u003e\n\u003cp\u003eSwitch to Lead when you want more saturation, sustain, compression, and aggression.\u003c\/p\u003e\n\u003cp\u003eBecause the mode is selectable independently for each channel, TwinBlaze can function as a remarkably flexible two-channel gain system. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eReal 12AX7 Tube Power\u003c\/h2\u003e\n\u003cp\u003eTwinBlaze does not simply simulate tube behavior.\u003c\/p\u003e\n\u003cp\u003eA genuine \u003cstrong\u003e12AX7A \/ ECC83 triode tube\u003c\/strong\u003e sits at the center of the circuit and operates at high voltage.\u003c\/p\u003e\n\u003cp\u003eThat gives the pedal natural harmonic complexity and dynamic compression while allowing the sound to respond to playing intensity in a more amplifier-like way. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDig in and it pushes harder.\u003c\/p\u003e\n\u003cp\u003eBack off and it cleans up.\u003c\/p\u003e\n\u003cp\u003eThat responsiveness is a big part of what separates TwinBlaze from a conventional clipping pedal.\u003c\/p\u003e\n\u003ch2\u003eFull Amp-Style EQ\u003c\/h2\u003e\n\u003cp\u003eEach channel provides a full tone-shaping section with:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBASS\u003c\/strong\u003e\u003cbr\u003eControls low-frequency weight and body.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDDLE\u003c\/strong\u003e\u003cbr\u003eShapes the center of the guitar voice and determines how prominently the sound sits in a mix.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTREBLE\u003c\/strong\u003e\u003cbr\u003eControls upper-frequency attack and brightness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESENCE\u003c\/strong\u003e\u003cbr\u003eAdds another layer of high-frequency contour and immediacy.\u003c\/p\u003e\n\u003cp\u003eCombined with independent Gain and Level controls, the extended EQ lets you shape each TwinBlaze channel much like a separate amplifier channel. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eDedicated 20dB Clean Boost\u003c\/h2\u003e\n\u003cp\u003eTwinBlaze also includes a separate \u003cstrong\u003e20dB clean boost\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eUse it to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLift solos\u003c\/li\u003e\n\u003cli\u003ePush the front end of an amplifier\u003c\/li\u003e\n\u003cli\u003eAdd level without changing your basic gain voice\u003c\/li\u003e\n\u003cli\u003eMove forward in a dense band mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe boost gives you another performance level beyond the two main channels without requiring another pedal. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eGo Direct\u003c\/h2\u003e\n\u003cp\u003eTwinBlaze includes both a conventional output for amplifier rigs and a \u003cstrong\u003espeaker-simulated output\u003c\/strong\u003e for direct applications. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat makes it useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirect recording\u003c\/li\u003e\n\u003cli\u003eAudio interfaces\u003c\/li\u003e\n\u003cli\u003ePA systems\u003c\/li\u003e\n\u003cli\u003eBackup rigs\u003c\/li\u003e\n\u003cli\u003eFly rigs\u003c\/li\u003e\n\u003cli\u003eSilent-stage setups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor a player who wants a compact analog\/tube front end without carrying an entire amplifier rig, the speaker-simulated output adds meaningful flexibility.\u003c\/p\u003e\n\u003ch2\u003eBuilt for Big Guitar Sounds\u003c\/h2\u003e\n\u003cp\u003eTwinBlaze lives naturally in the world of:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic rock\u003c\/li\u003e\n\u003cli\u003eHard rock\u003c\/li\u003e\n\u003cli\u003eBlues rock\u003c\/li\u003e\n\u003cli\u003e1980s-inspired gain\u003c\/li\u003e\n\u003cli\u003eBritish-style crunch\u003c\/li\u003e\n\u003cli\u003eSaturated lead tones\u003c\/li\u003e\n\u003cli\u003eAmp-like rhythm sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eT-Rex explicitly positions the pedal around the sound and feel of classic high-powered tube amplifiers and the rock tones of that era. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDual-channel tube overdrive and distortion\u003c\/li\u003e\n\u003cli\u003eGenuine 12AX7 \/ ECC83 preamp tube\u003c\/li\u003e\n\u003cli\u003eHigh-voltage tube operation\u003c\/li\u003e\n\u003cli\u003eTwo independently adjustable channels\u003c\/li\u003e\n\u003cli\u003eCrunch and Lead modes on both channels\u003c\/li\u003e\n\u003cli\u003eIndependent Gain controls\u003c\/li\u003e\n\u003cli\u003eIndependent Bass controls\u003c\/li\u003e\n\u003cli\u003eIndependent Middle controls\u003c\/li\u003e\n\u003cli\u003eIndependent Treble controls\u003c\/li\u003e\n\u003cli\u003eIndependent Presence controls\u003c\/li\u003e\n\u003cli\u003eIndependent Level controls\u003c\/li\u003e\n\u003cli\u003eDedicated 20dB clean boost\u003c\/li\u003e\n\u003cli\u003eStandard amplifier output\u003c\/li\u003e\n\u003cli\u003eSpeaker-simulated output\u003c\/li\u003e\n\u003cli\u003eIncluded 12V DC power supply\u003c\/li\u003e\n\u003cli\u003eHandcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Dual-channel tube overdrive\/distortion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTube:\u003c\/strong\u003e 12AX7 \/ ECC83\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModes:\u003c\/strong\u003e Crunch \/ Lead per channel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEQ:\u003c\/strong\u003e Bass, Middle, Treble, Presence per channel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;1MΩ @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 12V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 500mA at 12V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDC connector:\u003c\/strong\u003e 2.1mm barrel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 7.32 × 4.72 × 2.56 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e approximately 186 × 120 × 65 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Handcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e12V DC \/ 500mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwinBlaze requires substantially more current than a typical analog stompbox because it is powering a genuine tube circuit.\u003c\/p\u003e\n\u003cp\u003eThe correct T-Rex power supply is included, so TwinBlaze is ready to use out of the box. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIts power requirement is also a good example of why the \u003cstrong\u003ePower Budget\u003c\/strong\u003e matters:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatch the voltage.\u003cbr\u003eMatch AC or DC.\u003cbr\u003eMatch the polarity.\u003cbr\u003eMake sure enough current is available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 12V output capable of only 300mA does not provide enough current budget for TwinBlaze.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandcrafted in Denmark\u003c\/h2\u003e\n\u003cp\u003eTwinBlaze is designed and assembled in Denmark using the tube-driven architecture and build approach that T-Rex developed for this pedal. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat makes it an especially important product in the modern T-Rex lineup: it combines the company's stompbox heritage with a more ambitious amplifier-style approach to gain.\u003c\/p\u003e\n\u003ch1\u003eAn Amp Channel Under Your Foot\u003c\/h1\u003e\n\u003cp\u003eTwinBlaze gives you more than two distortion sounds.\u003c\/p\u003e\n\u003cp\u003eIt gives you \u003cstrong\u003etwo complete gain channels\u003c\/strong\u003e, a real tube, full EQ, Crunch and Lead modes, and an additional clean boost.\u003c\/p\u003e\n\u003cp\u003eSet up your rhythm sound.\u003c\/p\u003e\n\u003cp\u003eSet up your lead sound.\u003c\/p\u003e\n\u003cp\u003eThen step between them.\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47020156682413,"sku":"10210","price":289.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Twinblaze_Front_1680x_667090cf-61c1-44ae-b1f7-37fde6cae509.png?v=1785535107"},{"product_id":"binson-echorec","title":"Binson Echorec","description":"\u003ch2\u003eThe Legendary Drum Delay Reborn\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eReal magnetic drum echo. Four playback heads. Handmade in Denmark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSome effects are recreated with algorithms.\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Binson Echorec is recreated with \u003cstrong\u003emechanics\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAfter years of research, restoration work, engineering, and testing, T-Rex brought the legendary magnetic drum delay back to life using a real rotating magnetic drum, real recording and playback heads, and a custom-engineered drum alloy designed to capture the organic response of the original machines. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe result is not an emulation of a drum echo.\u003c\/p\u003e\n\u003cp\u003eIt is a \u003cstrong\u003ereal drum echo\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eInstalled at Abbey Road Studios\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe T-Rex Binson Echorec is available for use in \u003cstrong\u003eThe Gatehouse, The Front Room, and the Writing Room at Abbey Road Studios\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"decorated-link\" rel=\"noopener\" href=\"https:\/\/trexeffects.us\/pages\/abbey-road-studios-binson-echorec\"\u003e\u003cstrong\u003eRead the Abbey Road installation story →\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003eA Different Kind of Delay\u003c\/h2\u003e\n\u003cp\u003eThe original Binson Echorec, developed in Italy in the 1950s, used a rotating magnetic drum instead of the tape loops found in many other vintage echo machines. That architecture gave the Echorec its own unmistakable response: rhythmic, warm, slightly unpredictable, and capable of turning simple notes into evolving patterns and textures. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eT-Rex spent years studying and restoring original units before developing its own version around a custom magnetic drum. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat mechanical interaction is the heart of the Echorec.\u003c\/p\u003e\n\u003ch2\u003eFour Playback Heads\u003c\/h2\u003e\n\u003cp\u003eFour individually selectable playback heads give you far more than a single repeating echo.\u003c\/p\u003e\n\u003cp\u003eUse one head for a straightforward delay, or combine multiple heads to create:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRhythmic multi-tap patterns\u003c\/li\u003e\n\u003cli\u003eDense repeating textures\u003c\/li\u003e\n\u003cli\u003ePulsing ambience\u003c\/li\u003e\n\u003cli\u003eCascading echoes\u003c\/li\u003e\n\u003cli\u003eSwells\u003c\/li\u003e\n\u003cli\u003eComplex evolving repeats\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEach playback head has its own level control, allowing you to determine how strongly each repeat contributes to the overall sound. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is where the Echorec begins behaving less like a conventional effect and more like an instrument you interact with.\u003c\/p\u003e\n\u003ch2\u003eTwo Record Heads\u003c\/h2\u003e\n\u003cp\u003eThe T-Rex Echorec includes \u003cstrong\u003etwo recording heads\u003c\/strong\u003e, giving you access to short and long delay ranges. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSwitch between them to change the fundamental timing relationship of the four playback heads, then use the drum-speed control to move the entire echo structure faster or slower.\u003c\/p\u003e\n\u003ch2\u003eChange the Speed of the Drum\u003c\/h2\u003e\n\u003cp\u003eT-Rex expanded the original concept with adjustable drum speed.\u003c\/p\u003e\n\u003cp\u003eThe magnetic drum can be varied by approximately \u003cstrong\u003e±20%\u003c\/strong\u003e, allowing you to alter both delay time and pitch behavior in ways the original machines could not. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUse it for subtle timing changes or treat the drum itself as part of the performance.\u003c\/p\u003e\n\u003cp\u003eBecause this is a real mechanical recording system, changing speed can produce organic pitch movement and rhythmic variation that feels fundamentally different from selecting another digital delay time.\u003c\/p\u003e\n\u003ch2\u003eRepeats or Swell\u003c\/h2\u003e\n\u003cp\u003eA dedicated mode switch lets you move between traditional repeating echoes and \u003cstrong\u003eSwell\u003c\/strong\u003e behavior.\u003c\/p\u003e\n\u003cp\u003eIn Repeats mode, the Echorec produces the rhythmic echoes expected from a multi-head magnetic delay.\u003c\/p\u003e\n\u003cp\u003eSwitch to Swell and the echoes begin building into denser, more atmospheric layers.\u003c\/p\u003e\n\u003cp\u003eFrom tight rhythmic patterns to expanding clouds of sound, the Echorec can move from delay into something approaching ambience, texture, and composition.\u003c\/p\u003e\n\u003ch2\u003eShape the Echo\u003c\/h2\u003e\n\u003cp\u003eThe front panel gives you direct control over the mechanical system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eECHO VOLUME\u003c\/strong\u003e\u003cbr\u003eSets the overall level of the echo signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECORD HEAD\u003c\/strong\u003e\u003cbr\u003eSelects the short or long record-head configuration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDRUM SPEED\u003c\/strong\u003e\u003cbr\u003eChanges the rotational speed of the magnetic drum by approximately ±20%.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECORD LEVEL\u003c\/strong\u003e\u003cbr\u003eControls the level being recorded onto the drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLAYBACK 1–4\u003c\/strong\u003e\u003cbr\u003eSelects and individually controls each playback head.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEAT\u003c\/strong\u003e\u003cbr\u003eControls regeneration and the number of repeats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEATS \/ SWELL\u003c\/strong\u003e\u003cbr\u003eChanges the behavior of the feedback system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eECHO TONE\u003c\/strong\u003e\u003cbr\u003eShapes the tonal character of the repeats.\u003c\/p\u003e\n\u003ch2\u003eThe Magic Eye\u003c\/h2\u003e\n\u003cp\u003eThe Echorec includes the classic-style \u003cstrong\u003eMagic Eye level indicator\u003c\/strong\u003e, giving you a visual reference for input\/recording level while reinforcing the experience of operating a genuine electromechanical echo machine. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is functional.\u003c\/p\u003e\n\u003cp\u003eIt is beautiful.\u003c\/p\u003e\n\u003cp\u003eAnd it belongs on an Echorec.\u003c\/p\u003e\n\u003ch2\u003eBuilt for Guitar and Studio\u003c\/h2\u003e\n\u003cp\u003eThe T-Rex Binson Echorec is equally at home on the floor beside an amplifier or integrated into a professional studio.\u003c\/p\u003e\n\u003cp\u003eIt provides both \u003cstrong\u003ebalanced and unbalanced connections\u003c\/strong\u003e, giving engineers and musicians the flexibility to use the Echorec with guitar rigs, recording systems, mixing setups, and other creative signal chains. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExternal connections also allow control of \u003cstrong\u003ebypass and drum speed\u003c\/strong\u003e, opening the door to deeper live and studio integration. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eAuthentic Mechanics. Modern Refinement.\u003c\/h2\u003e\n\u003cp\u003eT-Rex did not simply reproduce the weaknesses of a sixty-year-old machine.\u003c\/p\u003e\n\u003cp\u003eThe modern Echorec incorporates refinements intended to make the mechanical system more consistent and usable:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom-engineered magnetic drum alloy\u003c\/li\u003e\n\u003cli\u003eReduced mechanical noise\u003c\/li\u003e\n\u003cli\u003eMore stable operation\u003c\/li\u003e\n\u003cli\u003eAdjustable drum speed\u003c\/li\u003e\n\u003cli\u003eBalanced studio connectivity\u003c\/li\u003e\n\u003cli\u003eExternal control capability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe goal is to preserve what made the original extraordinary while making the instrument practical for modern musicians and studios. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAuthentic magnetic drum delay\u003c\/li\u003e\n\u003cli\u003eReal mechanical recording and playback heads\u003c\/li\u003e\n\u003cli\u003eTwo recording heads for short and long delay ranges\u003c\/li\u003e\n\u003cli\u003eFour individually switchable playback heads\u003c\/li\u003e\n\u003cli\u003eIndividual level control for all four playback heads\u003c\/li\u003e\n\u003cli\u003eAdjustable drum speed ±20%\u003c\/li\u003e\n\u003cli\u003eRepeat and Swell modes\u003c\/li\u003e\n\u003cli\u003eEcho Tone control\u003c\/li\u003e\n\u003cli\u003eRecord Level control\u003c\/li\u003e\n\u003cli\u003eMagic Eye input\/record-level indicator\u003c\/li\u003e\n\u003cli\u003eCustom magnetic drum alloy\u003c\/li\u003e\n\u003cli\u003eBalanced and unbalanced I\/O\u003c\/li\u003e\n\u003cli\u003eExternal bypass connection\u003c\/li\u003e\n\u003cli\u003eExternal drum-speed control connection\u003c\/li\u003e\n\u003cli\u003eIncluded 24V DC power supply\u003c\/li\u003e\n\u003cli\u003eHandmade in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Electromechanical magnetic drum delay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording heads:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback heads:\u003c\/strong\u003e 4, individually switchable and level adjustable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;500kΩ at 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ at 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 24V DC, center negative\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCenter pin:\u003c\/strong\u003e 2.0mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 300mA at 24V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input signal:\u003c\/strong\u003e Adjustable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Echo Volume, Record Head selection, Drum Speed, Record Level, Playback Heads 1–4, Repeat, Repeats\/Swell, Echo Tone, Bypass\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 3.94 × 9.84 × 7.48 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 100 × 250 × 190 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Handmade in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e24V DC \/ 300mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Binson Echorec operates from a dedicated \u003cstrong\u003e24V DC, center-negative power supply\u003c\/strong\u003e, which is included with the unit. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBecause the Echorec uses a specialized 24V supply and an electromechanical recording system, we recommend using the supplied T-Rex power adapter.\u003c\/p\u003e\n\u003cp\u003eThis is another useful example of the Power Budget principle:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrect current capacity alone is not enough. Voltage, AC\/DC type, polarity, and connector specification must all match the device.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandmade in Denmark\u003c\/h2\u003e\n\u003cp\u003eEvery T-Rex Binson Echorec is handcrafted in Denmark. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat matters here.\u003c\/p\u003e\n\u003cp\u003eThis is not a conventional circuit board placed inside a pedal enclosure. It is an electromechanical instrument containing a rotating magnetic drum, recording heads, multiple playback heads, precision mechanical components, and analog electronics working together as one system.\u003c\/p\u003e\n\u003cp\u003eIt is built to be used, maintained, and kept.\u003c\/p\u003e\n\u003ch2\u003eMore Than an Effect\u003c\/h2\u003e\n\u003cp\u003eA conventional delay repeats what you play.\u003c\/p\u003e\n\u003cp\u003eThe Echorec can \u003cstrong\u003etransform what you play into something new\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOne note can become a rhythm.\u003c\/p\u003e\n\u003cp\u003eA chord can become an atmosphere.\u003c\/p\u003e\n\u003cp\u003eFeedback can become movement.\u003c\/p\u003e\n\u003cp\u003eAnd the interaction between magnetic drum, playback heads, speed, tone, and regeneration means the machine responds differently depending on how you play it.\u003c\/p\u003e\n\u003cp\u003eThat is why the Echorec has remained compelling for generations.\u003c\/p\u003e\n\u003cp\u003eIt isn't simply a delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt is an instrument.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47020379439277,"sku":"10200","price":2100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Binson-Echorec_Front_1680x_5985aa13-8933-4737-a144-d1a6c6402047.png?v=1786037340"},{"product_id":"replicator-dluxe","title":"Replicator D'Luxe Tape Echo","description":"\u003ch2\u003eReal Tape Echo. Built for the Modern Pedalboard.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eOne record head. Two playback heads. Real moving tape. Tap tempo. Handmade in Denmark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Replicator D’Luxe is a true analog tape echo built around a real moving tape cartridge, one record head, and two playback heads.\u003c\/p\u003e\n\u003cp\u003eIt gives you the warmth, compression, saturation, and organic movement of real tape delay, but in a compact, road-ready format designed for modern players.\u003c\/p\u003e\n\u003cp\u003eThis is not a digital model of tape echo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYour signal is physically recorded onto tape and played back in real time.\u003c\/strong\u003e\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTwo Playback Heads. Three Distinct Delay Voices.\u003c\/h2\u003e\n\u003cp\u003eReplicator D’Luxe gives you two playback heads with different timing ranges.\u003c\/p\u003e\n\u003ch3\u003eShort Head\u003c\/h3\u003e\n\u003cp\u003eThe Short head covers approximately:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e108–520ms\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePerfect for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSlapback\u003c\/li\u003e\n\u003cli\u003eRockabilly\u003c\/li\u003e\n\u003cli\u003eVintage-style echoes\u003c\/li\u003e\n\u003cli\u003eShort rhythmic repeats\u003c\/li\u003e\n\u003cli\u003eThickening and ambience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLong Head\u003c\/h3\u003e\n\u003cp\u003eThe Long head extends the delay range to approximately:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e215–1000ms\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThat opens the door to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLonger rhythmic delays\u003c\/li\u003e\n\u003cli\u003eSpacious lead tones\u003c\/li\u003e\n\u003cli\u003eAmbient repeats\u003c\/li\u003e\n\u003cli\u003eModern tempo-synced delay sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCombine Both\u003c\/h3\u003e\n\u003cp\u003eEngage both playback heads together and the delay becomes more complex, creating a layered, room-like multi-head texture that sits somewhere between conventional echo and ambience. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eReal Tape Changes the Sound\u003c\/h2\u003e\n\u003cp\u003eTape does more than repeat your signal.\u003c\/p\u003e\n\u003cp\u003eIt compresses.\u003c\/p\u003e\n\u003cp\u003eIt saturates.\u003c\/p\u003e\n\u003cp\u003eIt softens transients.\u003c\/p\u003e\n\u003cp\u003eIt introduces subtle movement.\u003c\/p\u003e\n\u003cp\u003eAs the signal passes repeatedly through the tape system, each echo develops a little more character.\u003c\/p\u003e\n\u003cp\u003eThat is why real tape echo feels different from a digital simulation: the recording medium itself becomes part of the sound.\u003c\/p\u003e\n\u003ch2\u003eSaturation Control\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSaturation\u003c\/strong\u003e control lets you determine how hard the signal drives the tape system.\u003c\/p\u003e\n\u003cp\u003eKeep it lower for cleaner, more defined repeats.\u003c\/p\u003e\n\u003cp\u003ePush it harder for more compression, harmonic coloration, and tape character.\u003c\/p\u003e\n\u003cp\u003eThis gives you direct control over one of the most important elements of real tape echo: how strongly the tape is being driven.\u003c\/p\u003e\n\u003ch2\u003eTap Tempo\u003c\/h2\u003e\n\u003cp\u003eReal tape echo and tap tempo do not usually live in the same sentence.\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe changes that.\u003c\/p\u003e\n\u003cp\u003eThe dedicated Tap Tempo footswitch lets you set the timing of the Long playback head directly from your foot. The Short head follows at approximately half that delay time, keeping the relationship between the two heads intact. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat means you can have the sound of real tape without giving up the live-performance convenience of tempo synchronization.\u003c\/p\u003e\n\u003ch2\u003eFeedback\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eFeedback\u003c\/strong\u003e control determines how much of the delayed signal is sent back through the tape system.\u003c\/p\u003e\n\u003cp\u003eAt lower settings, you get a few controlled repeats.\u003c\/p\u003e\n\u003cp\u003eTurn it higher and the echoes continue longer, becoming progressively more saturated and complex.\u003c\/p\u003e\n\u003cp\u003ePush it far enough and the Replicator can move toward self-oscillation and evolving tape textures.\u003c\/p\u003e\n\u003ch2\u003eDelay Level\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDelay Level\u003c\/strong\u003e control determines how much tape echo is mixed with your dry signal.\u003c\/p\u003e\n\u003cp\u003eUse it subtly for depth and dimension, or bring the echo forward until it becomes a central part of the sound.\u003c\/p\u003e\n\u003ch2\u003eKill Dry\u003c\/h2\u003e\n\u003cp\u003eReplicator D’Luxe includes \u003cstrong\u003eKill Dry\u003c\/strong\u003e operation, allowing you to remove the direct signal and output only the delayed tape signal. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat is especially useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eParallel effects loops\u003c\/li\u003e\n\u003cli\u003eWet\/dry rigs\u003c\/li\u003e\n\u003cli\u003eStudio auxiliary sends\u003c\/li\u003e\n\u003cli\u003eMore complex routing systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eA Better Tape Transport\u003c\/h2\u003e\n\u003cp\u003eT-Rex refined the mechanical system of the D’Luxe around years of experience building real tape-delay products.\u003c\/p\u003e\n\u003cp\u003eThe D’Luxe uses a \u003cstrong\u003ebelt-drive motor suspension\u003c\/strong\u003e designed to reduce mechanical operating noise, along with a tape-lock mechanism intended to protect both the tape and pinch roller when the machine is not in use. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThese are not cosmetic updates.\u003c\/p\u003e\n\u003cp\u003eThey make a real mechanical tape echo more practical to own and use.\u003c\/p\u003e\n\u003ch2\u003eReplaceable Tape Cartridge\u003c\/h2\u003e\n\u003cp\u003eTape is part of the sound — and eventually, tape wears.\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe uses the replaceable \u003cstrong\u003eT-Rex Replicator Tape Cartridge\u003c\/strong\u003e, allowing you to install fresh tape without having to cut, splice, or thread your own loop. T-Rex still offers the cartridge as a service part for the D’Luxe and other Replicator models. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat is an important part of the Replicator design philosophy:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ereal tape echo that can actually be maintained.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTrue analog tape echo\u003c\/li\u003e\n\u003cli\u003eReal moving tape cartridge\u003c\/li\u003e\n\u003cli\u003eOne record head\u003c\/li\u003e\n\u003cli\u003eTwo playback heads\u003c\/li\u003e\n\u003cli\u003eShort-head delay range: 108–520ms\u003c\/li\u003e\n\u003cli\u003eLong-head delay range: 215–1000ms\u003c\/li\u003e\n\u003cli\u003eCombined-head operation\u003c\/li\u003e\n\u003cli\u003eTap Tempo\u003c\/li\u003e\n\u003cli\u003eSaturation control\u003c\/li\u003e\n\u003cli\u003eFeedback control\u003c\/li\u003e\n\u003cli\u003eDelay Level control\u003c\/li\u003e\n\u003cli\u003eKill Dry\u003c\/li\u003e\n\u003cli\u003eTrue bypass switching with gold-plated relay\u003c\/li\u003e\n\u003cli\u003eBelt-drive motor system for reduced mechanical noise\u003c\/li\u003e\n\u003cli\u003eTape-lock mechanism to help extend tape and pinch-roller life\u003c\/li\u003e\n\u003cli\u003eReplaceable tape cartridge\u003c\/li\u003e\n\u003cli\u003eIncluded 12V DC power supply\u003c\/li\u003e\n\u003cli\u003eHandmade in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e True analog mechanical tape echo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord heads:\u003c\/strong\u003e 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback heads:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShort-head delay time:\u003c\/strong\u003e 108–520ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLong-head delay time:\u003c\/strong\u003e 215–1000ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;500kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 12V DC, center negative\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 300mA at 12V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input signal:\u003c\/strong\u003e 8.7Vp-p \/ approximately +12dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Delay Time, Feedback, Delay Level, Saturation, Kill Dry, Short, Long, On\/Off, Tap Tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 3.15 × 6.85 × 6.89 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 80 × 174 × 175 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 3.31 lb \/ 1.50 kg \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e12V DC \/ 300mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe includes the correct T-Rex power supply and is ready to run right out of the box. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIts 300mA requirement also gives us another useful example of the \u003cstrong\u003ePower Budget\u003c\/strong\u003e principle:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatch the voltage.\u003cbr\u003eMatch AC or DC.\u003cbr\u003eMatch the polarity.\u003cbr\u003eMake sure enough current is available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA supply rated for more than 300mA at the correct 12V DC voltage is fine; the Replicator draws only the current it requires.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eBuilt to Be Supported\u003c\/h2\u003e\n\u003cp\u003eReal tape machines require real service parts.\u003c\/p\u003e\n\u003cp\u003eThat is why T-Rex USA supports the Replicator ecosystem with genuine replacement components, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReplicator Tape Cartridge\u003c\/li\u003e\n\u003cli\u003eReplacement pinch wheel\u003c\/li\u003e\n\u003cli\u003eReplacement drive belt\u003c\/li\u003e\n\u003cli\u003eReplacement hardware\u003c\/li\u003e\n\u003cli\u003eCompatible power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eT-Rex currently continues to offer these service parts for the Replicator family. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is exactly where I’d make the USA site exceptional:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn a Replicator? We intend to help you keep it running.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandmade in Denmark\u003c\/h2\u003e\n\u003cp\u003eReplicator D’Luxe is handcrafted in Denmark. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInside is a real electromechanical recording system — motor, belt drive, tape cartridge, record head, playback heads, pinch roller, and analog electronics working together.\u003c\/p\u003e\n\u003cp\u003eThat physical interaction is what gives the Replicator its character.\u003c\/p\u003e\n\u003ch2\u003eReal Tape. No Simulation.\u003c\/h2\u003e\n\u003cp\u003eThere are many excellent digital tape-delay emulations.\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe is something different.\u003c\/p\u003e\n\u003cp\u003eThe tape moves.\u003c\/p\u003e\n\u003cp\u003eThe signal is recorded.\u003c\/p\u003e\n\u003cp\u003eThe playback heads reproduce it.\u003c\/p\u003e\n\u003cp\u003eThe repeats change as they pass through the mechanical system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThat is real tape echo.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47020543574189,"sku":"10038","price":729.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Replicator_Front_1680x_33974e2a-c816-41b9-acfc-369910768578.png?v=1785442456"}],"url":"https:\/\/trexeffects.us\/collections\/featured-t-rex-pedals.oembed","provider":"T-Rex Effects USA","version":"1.0","type":"link"}