{"title":"Delay","description":"\u003cp\u003eExplore T-Rex delay, echo, and time-based effects.\u003c\/p\u003e","products":[{"product_id":"binson-stereophonica","title":"Binson Stereophonica","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eThe World’s First True Stereo Magnetic Drum Delay\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eReal magnetic drum. Four independently pannable playback heads. True balanced stereo. Handmade in Denmark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Binson Stereophonica takes the legendary magnetic-drum echo concept into an entirely new dimension.\u003c\/p\u003e\n\u003cp\u003eAt its heart is a real rotating magnetic drum — not a digital simulation — with two selectable record heads and four independently controlled playback heads.\u003c\/p\u003e\n\u003cp\u003eBut Stereophonica goes further.\u003c\/p\u003e\n\u003cp\u003eEach playback head has its own \u003cstrong\u003eVolume and Pan control\u003c\/strong\u003e, allowing individual echoes to be positioned anywhere across the stereo field. From classic drum echo to wide, moving rhythmic textures, Stereophonica turns magnetic delay into a true stereo instrument. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eReal Magnetic Drum. Real Stereo Movement.\u003c\/h2\u003e\n\u003cp\u003eTraditional multi-head delays create different repeats in time.\u003c\/p\u003e\n\u003cp\u003eStereophonica lets you control those repeats in \u003cstrong\u003etime and space\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEach of the four playback heads can be independently switched, leveled, and panned.\u003c\/p\u003e\n\u003cp\u003eThat means one head can appear on the left.\u003c\/p\u003e\n\u003cp\u003eAnother can answer from the right.\u003c\/p\u003e\n\u003cp\u003eOthers can sit between them.\u003c\/p\u003e\n\u003cp\u003eCombine the heads and the echoes can move across the stereo image as part of the composition itself.\u003c\/p\u003e\n\u003cp\u003eThis is not stereo added after the delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo is built into the architecture of the instrument.\u003c\/strong\u003e\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTwo Record Heads\u003c\/h2\u003e\n\u003cp\u003eStereophonica includes two selectable record heads:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHORT\u003c\/strong\u003e\u003cbr\u003eFor tighter delay structures and faster rhythmic patterns.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLONG\u003c\/strong\u003e\u003cbr\u003eFor longer spacing and more expansive echoes.\u003c\/p\u003e\n\u003cp\u003eCombined with the four playback heads and variable drum speed, these two recording positions give you a remarkably wide range of rhythmic relationships.\u003c\/p\u003e\n\u003ch2\u003eFour Independent Playback Heads\u003c\/h2\u003e\n\u003cp\u003eThe four playback heads are the heart of the Stereophonica.\u003c\/p\u003e\n\u003cp\u003eEach one provides:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndependent On\/Off control\u003c\/li\u003e\n\u003cli\u003eIndependent playback level\u003c\/li\u003e\n\u003cli\u003eIndependent stereo pan position\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUse a single head for a focused echo.\u003c\/p\u003e\n\u003cp\u003eCombine two for rhythmic interplay.\u003c\/p\u003e\n\u003cp\u003eBring in all four and build complex patterns that spread naturally across the stereo field.\u003c\/p\u003e\n\u003cp\u003eThe interaction between the physical drum, record head, playback heads, and feedback system means that the resulting textures can feel alive in a way conventional delay architectures do not.\u003c\/p\u003e\n\u003ch2\u003eDrive the Magnetic Drum\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRecord Level\u003c\/strong\u003e control determines how strongly the signal is recorded onto the magnetic drum.\u003c\/p\u003e\n\u003cp\u003eKeep it restrained for cleaner echoes.\u003c\/p\u003e\n\u003cp\u003ePush it harder and the magnetic recording stage begins adding saturation, compression, and harmonic character.\u003c\/p\u003e\n\u003cp\u003eThat relationship between recording level and the physical magnetic medium is part of what makes a real drum echo behave differently from a digital model. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eVariable Drum Speed\u003c\/h2\u003e\n\u003cp\u003eThe drum itself becomes part of the performance.\u003c\/p\u003e\n\u003cp\u003eChanging the drum speed changes the timing of the entire echo structure and can introduce natural pitch movement as the mechanical system accelerates or slows.\u003c\/p\u003e\n\u003cp\u003eStereophonica also supports \u003cstrong\u003eexpression-pedal control of drum speed\u003c\/strong\u003e, allowing you to manipulate that movement in real time. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eRepeats or Swell\u003c\/h2\u003e\n\u003cp\u003eSwitch between traditional repeating echoes and \u003cstrong\u003eSwell\u003c\/strong\u003e behavior.\u003c\/p\u003e\n\u003cp\u003eIn Repeats mode, feedback creates the familiar regeneration of a multi-head drum delay.\u003c\/p\u003e\n\u003cp\u003eIn Swell mode, the echoes can build into denser, more atmospheric textures.\u003c\/p\u003e\n\u003cp\u003eFrom subtle ambience to rhythmic patterns to expansive evolving soundscapes, the same mechanical system can behave very differently depending on how you drive it.\u003c\/p\u003e\n\u003ch2\u003eTrue Balanced Stereo I\/O\u003c\/h2\u003e\n\u003cp\u003eStereophonica was designed as much for the studio as for the adventurous musician.\u003c\/p\u003e\n\u003cp\u003eIt provides \u003cstrong\u003ebalanced left and right inputs and outputs\u003c\/strong\u003e, along with unbalanced stereo connections and a separate instrument input. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat allows the Stereophonica to integrate directly with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecording consoles\u003c\/li\u003e\n\u003cli\u003eAudio interfaces\u003c\/li\u003e\n\u003cli\u003eStudio patchbays\u003c\/li\u003e\n\u003cli\u003eSynthesizers\u003c\/li\u003e\n\u003cli\u003eKeyboards\u003c\/li\u003e\n\u003cli\u003eGuitar rigs\u003c\/li\u003e\n\u003cli\u003eStereo pedalboards\u003c\/li\u003e\n\u003cli\u003eOutboard-effects loops\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt is not simply a guitar pedal with stereo jacks.\u003c\/p\u003e\n\u003cp\u003eIt is a \u003cstrong\u003estereo studio processor built around a real magnetic recording system\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2\u003eKill Dry for Parallel Processing\u003c\/h2\u003e\n\u003cp\u003eStereophonica includes \u003cstrong\u003eKill Dry\u003c\/strong\u003e, allowing the direct signal to be removed from the output.\u003c\/p\u003e\n\u003cp\u003eThat makes it particularly useful in professional studio environments where the unit is used on an auxiliary send or parallel effects path.\u003c\/p\u003e\n\u003cp\u003eSend a signal to the Stereophonica, return only the processed magnetic echoes, and control the dry\/effect balance from the console or DAW.\u003c\/p\u003e\n\u003cp\u003eIt is a small feature with major implications for studio integration. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFull MIDI Implementation\u003c\/h2\u003e\n\u003cp\u003eThe Stereophonica brings its mechanical echo system into a modern control environment with \u003cstrong\u003eMIDI In and Out\u003c\/strong\u003e and full MIDI implementation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat allows the instrument to integrate with sophisticated studio, switching, and performance systems while preserving the physical magnetic-drum architecture at its core.\u003c\/p\u003e\n\u003ch2\u003eExpression Control\u003c\/h2\u003e\n\u003cp\u003eAn expression-pedal input provides real-time control of \u003cstrong\u003edrum speed and feedback\u003c\/strong\u003e, making the mechanical behavior of the echo part of the performance itself. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than simply recalling another preset, you can physically manipulate how the machine responds.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWorld’s first true stereo magnetic drum delay\u003c\/li\u003e\n\u003cli\u003eReal rotating magnetic drum\u003c\/li\u003e\n\u003cli\u003eInspired by the legendary Binson Echorec\u003c\/li\u003e\n\u003cli\u003eTwo selectable record heads: Short and Long\u003c\/li\u003e\n\u003cli\u003eFour independently switchable playback heads\u003c\/li\u003e\n\u003cli\u003eIndividual Volume control for every playback head\u003c\/li\u003e\n\u003cli\u003eIndividual Pan control for every playback head\u003c\/li\u003e\n\u003cli\u003eWide stereo imaging\u003c\/li\u003e\n\u003cli\u003eMagnetic saturation and harmonic character\u003c\/li\u003e\n\u003cli\u003eVariable drum speed\u003c\/li\u003e\n\u003cli\u003eExpression control for speed and feedback\u003c\/li\u003e\n\u003cli\u003eRepeat and Swell modes\u003c\/li\u003e\n\u003cli\u003eEcho Tone control\u003c\/li\u003e\n\u003cli\u003eKill Dry operation\u003c\/li\u003e\n\u003cli\u003eTrue balanced stereo inputs and outputs\u003c\/li\u003e\n\u003cli\u003eUnbalanced stereo inputs and outputs\u003c\/li\u003e\n\u003cli\u003eDedicated instrument input\u003c\/li\u003e\n\u003cli\u003eFull MIDI implementation\u003c\/li\u003e\n\u003cli\u003eIncluded 24V DC power supply\u003c\/li\u003e\n\u003cli\u003eHandcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Electromechanical stereo magnetic drum delay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord heads:\u003c\/strong\u003e 2 selectable — Short \/ Long\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback heads:\u003c\/strong\u003e 4 independently switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback controls:\u003c\/strong\u003e Individual Volume and Pan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e greater than 500kΩ @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e less than 1kΩ @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e approximately 2.5–3.0 Vp-p; instrument input adjustable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInstrument input:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced inputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnbalanced inputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced outputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnbalanced outputs:\u003c\/strong\u003e Left \/ Right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpression input:\u003c\/strong\u003e Drum Speed \/ Feedback control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e In \/ Out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 24V DC, center negative\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCenter pin:\u003c\/strong\u003e 2.0mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 350mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 9.84 × 5.59 × 8.81 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 250 × 142 × 224 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 7.36 lb \/ 3.34 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Handcrafted in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e24V DC \/ 350mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStereophonica uses a dedicated 24V DC, center-negative power supply, which is included with the unit. T-Rex specifically recommends using the original power supply. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBecause this is a specialized electromechanical studio instrument, we recommend using the supplied T-Rex power adapter rather than attempting to power it from a conventional pedalboard supply.\u003c\/p\u003e\n\u003cp\u003eThis is another example of the Power Budget principle:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage must match.\u003cbr\u003eAC\/DC must match.\u003cbr\u003ePolarity must match.\u003cbr\u003eAnd sufficient current must be available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"UTF-8\"\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandmade in Denmark\u003c\/h2\u003e\n\u003cp\u003eStereophonica is handcrafted in Denmark by T-Rex Effects. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInside is a mechanical magnetic recording system: a rotating drum, recording heads, playback heads, precision mechanics, analog electronics, and modern control systems working together.\u003c\/p\u003e\n\u003cp\u003eThis is not merely another DSP effect in a larger enclosure.\u003c\/p\u003e\n\u003cp\u003eIt is a real electromechanical instrument built for studios and musicians who want to interact with sound physically.\u003c\/p\u003e\n\u003ch1\u003eEcho Becomes Space\u003c\/h1\u003e\n\u003cp\u003eThe original Echorec made delay rhythmic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereophonica makes it spatial.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour playback heads.\u003c\/p\u003e\n\u003cp\u003eFour independent pan positions.\u003c\/p\u003e\n\u003cp\u003eA real magnetic drum.\u003c\/p\u003e\n\u003cp\u003eTrue stereo signal paths.\u003c\/p\u003e\n\u003cp\u003eModern studio control.\u003c\/p\u003e\n\u003cp\u003eWhat began as one of the most distinctive echo concepts of the 1950s now becomes something the original designers could never have built:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ea true stereo magnetic-drum instrument.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47019528388781,"sku":"10205","price":2999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Binson-Stereophonica_Front_1680x_e7032593-2f42-4e69-b548-b7f2b4001647.png?v=1785965852"},{"product_id":"binson-echorec","title":"Binson Echorec","description":"\u003ch2\u003eThe Legendary Drum Delay Reborn\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eReal magnetic drum echo. Four playback heads. Handmade in Denmark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSome effects are recreated with algorithms.\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Binson Echorec is recreated with \u003cstrong\u003emechanics\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAfter years of research, restoration work, engineering, and testing, T-Rex brought the legendary magnetic drum delay back to life using a real rotating magnetic drum, real recording and playback heads, and a custom-engineered drum alloy designed to capture the organic response of the original machines. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe result is not an emulation of a drum echo.\u003c\/p\u003e\n\u003cp\u003eIt is a \u003cstrong\u003ereal drum echo\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eInstalled at Abbey Road Studios\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe T-Rex Binson Echorec is available for use in \u003cstrong\u003eThe Gatehouse, The Front Room, and the Writing Room at Abbey Road Studios\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"decorated-link\" rel=\"noopener\" href=\"https:\/\/trexeffects.us\/pages\/abbey-road-studios-binson-echorec\"\u003e\u003cstrong\u003eRead the Abbey Road installation story →\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003eA Different Kind of Delay\u003c\/h2\u003e\n\u003cp\u003eThe original Binson Echorec, developed in Italy in the 1950s, used a rotating magnetic drum instead of the tape loops found in many other vintage echo machines. That architecture gave the Echorec its own unmistakable response: rhythmic, warm, slightly unpredictable, and capable of turning simple notes into evolving patterns and textures. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eT-Rex spent years studying and restoring original units before developing its own version around a custom magnetic drum. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat mechanical interaction is the heart of the Echorec.\u003c\/p\u003e\n\u003ch2\u003eFour Playback Heads\u003c\/h2\u003e\n\u003cp\u003eFour individually selectable playback heads give you far more than a single repeating echo.\u003c\/p\u003e\n\u003cp\u003eUse one head for a straightforward delay, or combine multiple heads to create:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRhythmic multi-tap patterns\u003c\/li\u003e\n\u003cli\u003eDense repeating textures\u003c\/li\u003e\n\u003cli\u003ePulsing ambience\u003c\/li\u003e\n\u003cli\u003eCascading echoes\u003c\/li\u003e\n\u003cli\u003eSwells\u003c\/li\u003e\n\u003cli\u003eComplex evolving repeats\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEach playback head has its own level control, allowing you to determine how strongly each repeat contributes to the overall sound. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is where the Echorec begins behaving less like a conventional effect and more like an instrument you interact with.\u003c\/p\u003e\n\u003ch2\u003eTwo Record Heads\u003c\/h2\u003e\n\u003cp\u003eThe T-Rex Echorec includes \u003cstrong\u003etwo recording heads\u003c\/strong\u003e, giving you access to short and long delay ranges. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSwitch between them to change the fundamental timing relationship of the four playback heads, then use the drum-speed control to move the entire echo structure faster or slower.\u003c\/p\u003e\n\u003ch2\u003eChange the Speed of the Drum\u003c\/h2\u003e\n\u003cp\u003eT-Rex expanded the original concept with adjustable drum speed.\u003c\/p\u003e\n\u003cp\u003eThe magnetic drum can be varied by approximately \u003cstrong\u003e±20%\u003c\/strong\u003e, allowing you to alter both delay time and pitch behavior in ways the original machines could not. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUse it for subtle timing changes or treat the drum itself as part of the performance.\u003c\/p\u003e\n\u003cp\u003eBecause this is a real mechanical recording system, changing speed can produce organic pitch movement and rhythmic variation that feels fundamentally different from selecting another digital delay time.\u003c\/p\u003e\n\u003ch2\u003eRepeats or Swell\u003c\/h2\u003e\n\u003cp\u003eA dedicated mode switch lets you move between traditional repeating echoes and \u003cstrong\u003eSwell\u003c\/strong\u003e behavior.\u003c\/p\u003e\n\u003cp\u003eIn Repeats mode, the Echorec produces the rhythmic echoes expected from a multi-head magnetic delay.\u003c\/p\u003e\n\u003cp\u003eSwitch to Swell and the echoes begin building into denser, more atmospheric layers.\u003c\/p\u003e\n\u003cp\u003eFrom tight rhythmic patterns to expanding clouds of sound, the Echorec can move from delay into something approaching ambience, texture, and composition.\u003c\/p\u003e\n\u003ch2\u003eShape the Echo\u003c\/h2\u003e\n\u003cp\u003eThe front panel gives you direct control over the mechanical system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eECHO VOLUME\u003c\/strong\u003e\u003cbr\u003eSets the overall level of the echo signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECORD HEAD\u003c\/strong\u003e\u003cbr\u003eSelects the short or long record-head configuration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDRUM SPEED\u003c\/strong\u003e\u003cbr\u003eChanges the rotational speed of the magnetic drum by approximately ±20%.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECORD LEVEL\u003c\/strong\u003e\u003cbr\u003eControls the level being recorded onto the drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLAYBACK 1–4\u003c\/strong\u003e\u003cbr\u003eSelects and individually controls each playback head.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEAT\u003c\/strong\u003e\u003cbr\u003eControls regeneration and the number of repeats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEATS \/ SWELL\u003c\/strong\u003e\u003cbr\u003eChanges the behavior of the feedback system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eECHO TONE\u003c\/strong\u003e\u003cbr\u003eShapes the tonal character of the repeats.\u003c\/p\u003e\n\u003ch2\u003eThe Magic Eye\u003c\/h2\u003e\n\u003cp\u003eThe Echorec includes the classic-style \u003cstrong\u003eMagic Eye level indicator\u003c\/strong\u003e, giving you a visual reference for input\/recording level while reinforcing the experience of operating a genuine electromechanical echo machine. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is functional.\u003c\/p\u003e\n\u003cp\u003eIt is beautiful.\u003c\/p\u003e\n\u003cp\u003eAnd it belongs on an Echorec.\u003c\/p\u003e\n\u003ch2\u003eBuilt for Guitar and Studio\u003c\/h2\u003e\n\u003cp\u003eThe T-Rex Binson Echorec is equally at home on the floor beside an amplifier or integrated into a professional studio.\u003c\/p\u003e\n\u003cp\u003eIt provides both \u003cstrong\u003ebalanced and unbalanced connections\u003c\/strong\u003e, giving engineers and musicians the flexibility to use the Echorec with guitar rigs, recording systems, mixing setups, and other creative signal chains. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExternal connections also allow control of \u003cstrong\u003ebypass and drum speed\u003c\/strong\u003e, opening the door to deeper live and studio integration. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eAuthentic Mechanics. Modern Refinement.\u003c\/h2\u003e\n\u003cp\u003eT-Rex did not simply reproduce the weaknesses of a sixty-year-old machine.\u003c\/p\u003e\n\u003cp\u003eThe modern Echorec incorporates refinements intended to make the mechanical system more consistent and usable:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom-engineered magnetic drum alloy\u003c\/li\u003e\n\u003cli\u003eReduced mechanical noise\u003c\/li\u003e\n\u003cli\u003eMore stable operation\u003c\/li\u003e\n\u003cli\u003eAdjustable drum speed\u003c\/li\u003e\n\u003cli\u003eBalanced studio connectivity\u003c\/li\u003e\n\u003cli\u003eExternal control capability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe goal is to preserve what made the original extraordinary while making the instrument practical for modern musicians and studios. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAuthentic magnetic drum delay\u003c\/li\u003e\n\u003cli\u003eReal mechanical recording and playback heads\u003c\/li\u003e\n\u003cli\u003eTwo recording heads for short and long delay ranges\u003c\/li\u003e\n\u003cli\u003eFour individually switchable playback heads\u003c\/li\u003e\n\u003cli\u003eIndividual level control for all four playback heads\u003c\/li\u003e\n\u003cli\u003eAdjustable drum speed ±20%\u003c\/li\u003e\n\u003cli\u003eRepeat and Swell modes\u003c\/li\u003e\n\u003cli\u003eEcho Tone control\u003c\/li\u003e\n\u003cli\u003eRecord Level control\u003c\/li\u003e\n\u003cli\u003eMagic Eye input\/record-level indicator\u003c\/li\u003e\n\u003cli\u003eCustom magnetic drum alloy\u003c\/li\u003e\n\u003cli\u003eBalanced and unbalanced I\/O\u003c\/li\u003e\n\u003cli\u003eExternal bypass connection\u003c\/li\u003e\n\u003cli\u003eExternal drum-speed control connection\u003c\/li\u003e\n\u003cli\u003eIncluded 24V DC power supply\u003c\/li\u003e\n\u003cli\u003eHandmade in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Electromechanical magnetic drum delay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording heads:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback heads:\u003c\/strong\u003e 4, individually switchable and level adjustable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;500kΩ at 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ at 1kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 24V DC, center negative\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCenter pin:\u003c\/strong\u003e 2.0mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 300mA at 24V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input signal:\u003c\/strong\u003e Adjustable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Echo Volume, Record Head selection, Drum Speed, Record Level, Playback Heads 1–4, Repeat, Repeats\/Swell, Echo Tone, Bypass\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 3.94 × 9.84 × 7.48 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 100 × 250 × 190 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Handmade in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e24V DC \/ 300mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Binson Echorec operates from a dedicated \u003cstrong\u003e24V DC, center-negative power supply\u003c\/strong\u003e, which is included with the unit. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBecause the Echorec uses a specialized 24V supply and an electromechanical recording system, we recommend using the supplied T-Rex power adapter.\u003c\/p\u003e\n\u003cp\u003eThis is another useful example of the Power Budget principle:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrect current capacity alone is not enough. Voltage, AC\/DC type, polarity, and connector specification must all match the device.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandmade in Denmark\u003c\/h2\u003e\n\u003cp\u003eEvery T-Rex Binson Echorec is handcrafted in Denmark. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat matters here.\u003c\/p\u003e\n\u003cp\u003eThis is not a conventional circuit board placed inside a pedal enclosure. It is an electromechanical instrument containing a rotating magnetic drum, recording heads, multiple playback heads, precision mechanical components, and analog electronics working together as one system.\u003c\/p\u003e\n\u003cp\u003eIt is built to be used, maintained, and kept.\u003c\/p\u003e\n\u003ch2\u003eMore Than an Effect\u003c\/h2\u003e\n\u003cp\u003eA conventional delay repeats what you play.\u003c\/p\u003e\n\u003cp\u003eThe Echorec can \u003cstrong\u003etransform what you play into something new\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOne note can become a rhythm.\u003c\/p\u003e\n\u003cp\u003eA chord can become an atmosphere.\u003c\/p\u003e\n\u003cp\u003eFeedback can become movement.\u003c\/p\u003e\n\u003cp\u003eAnd the interaction between magnetic drum, playback heads, speed, tone, and regeneration means the machine responds differently depending on how you play it.\u003c\/p\u003e\n\u003cp\u003eThat is why the Echorec has remained compelling for generations.\u003c\/p\u003e\n\u003cp\u003eIt isn't simply a delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt is an instrument.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47020379439277,"sku":"10200","price":2100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Binson-Echorec_Front_1680x_5985aa13-8933-4737-a144-d1a6c6402047.png?v=1786037340"},{"product_id":"replicator-dluxe","title":"Replicator D'Luxe Tape Echo","description":"\u003ch2\u003eReal Tape Echo. Built for the Modern Pedalboard.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eOne record head. Two playback heads. Real moving tape. Tap tempo. Handmade in Denmark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Replicator D’Luxe is a true analog tape echo built around a real moving tape cartridge, one record head, and two playback heads.\u003c\/p\u003e\n\u003cp\u003eIt gives you the warmth, compression, saturation, and organic movement of real tape delay, but in a compact, road-ready format designed for modern players.\u003c\/p\u003e\n\u003cp\u003eThis is not a digital model of tape echo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYour signal is physically recorded onto tape and played back in real time.\u003c\/strong\u003e\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTwo Playback Heads. Three Distinct Delay Voices.\u003c\/h2\u003e\n\u003cp\u003eReplicator D’Luxe gives you two playback heads with different timing ranges.\u003c\/p\u003e\n\u003ch3\u003eShort Head\u003c\/h3\u003e\n\u003cp\u003eThe Short head covers approximately:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e108–520ms\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePerfect for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSlapback\u003c\/li\u003e\n\u003cli\u003eRockabilly\u003c\/li\u003e\n\u003cli\u003eVintage-style echoes\u003c\/li\u003e\n\u003cli\u003eShort rhythmic repeats\u003c\/li\u003e\n\u003cli\u003eThickening and ambience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLong Head\u003c\/h3\u003e\n\u003cp\u003eThe Long head extends the delay range to approximately:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e215–1000ms\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThat opens the door to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLonger rhythmic delays\u003c\/li\u003e\n\u003cli\u003eSpacious lead tones\u003c\/li\u003e\n\u003cli\u003eAmbient repeats\u003c\/li\u003e\n\u003cli\u003eModern tempo-synced delay sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCombine Both\u003c\/h3\u003e\n\u003cp\u003eEngage both playback heads together and the delay becomes more complex, creating a layered, room-like multi-head texture that sits somewhere between conventional echo and ambience. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eReal Tape Changes the Sound\u003c\/h2\u003e\n\u003cp\u003eTape does more than repeat your signal.\u003c\/p\u003e\n\u003cp\u003eIt compresses.\u003c\/p\u003e\n\u003cp\u003eIt saturates.\u003c\/p\u003e\n\u003cp\u003eIt softens transients.\u003c\/p\u003e\n\u003cp\u003eIt introduces subtle movement.\u003c\/p\u003e\n\u003cp\u003eAs the signal passes repeatedly through the tape system, each echo develops a little more character.\u003c\/p\u003e\n\u003cp\u003eThat is why real tape echo feels different from a digital simulation: the recording medium itself becomes part of the sound.\u003c\/p\u003e\n\u003ch2\u003eSaturation Control\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSaturation\u003c\/strong\u003e control lets you determine how hard the signal drives the tape system.\u003c\/p\u003e\n\u003cp\u003eKeep it lower for cleaner, more defined repeats.\u003c\/p\u003e\n\u003cp\u003ePush it harder for more compression, harmonic coloration, and tape character.\u003c\/p\u003e\n\u003cp\u003eThis gives you direct control over one of the most important elements of real tape echo: how strongly the tape is being driven.\u003c\/p\u003e\n\u003ch2\u003eTap Tempo\u003c\/h2\u003e\n\u003cp\u003eReal tape echo and tap tempo do not usually live in the same sentence.\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe changes that.\u003c\/p\u003e\n\u003cp\u003eThe dedicated Tap Tempo footswitch lets you set the timing of the Long playback head directly from your foot. The Short head follows at approximately half that delay time, keeping the relationship between the two heads intact. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat means you can have the sound of real tape without giving up the live-performance convenience of tempo synchronization.\u003c\/p\u003e\n\u003ch2\u003eFeedback\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eFeedback\u003c\/strong\u003e control determines how much of the delayed signal is sent back through the tape system.\u003c\/p\u003e\n\u003cp\u003eAt lower settings, you get a few controlled repeats.\u003c\/p\u003e\n\u003cp\u003eTurn it higher and the echoes continue longer, becoming progressively more saturated and complex.\u003c\/p\u003e\n\u003cp\u003ePush it far enough and the Replicator can move toward self-oscillation and evolving tape textures.\u003c\/p\u003e\n\u003ch2\u003eDelay Level\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDelay Level\u003c\/strong\u003e control determines how much tape echo is mixed with your dry signal.\u003c\/p\u003e\n\u003cp\u003eUse it subtly for depth and dimension, or bring the echo forward until it becomes a central part of the sound.\u003c\/p\u003e\n\u003ch2\u003eKill Dry\u003c\/h2\u003e\n\u003cp\u003eReplicator D’Luxe includes \u003cstrong\u003eKill Dry\u003c\/strong\u003e operation, allowing you to remove the direct signal and output only the delayed tape signal. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat is especially useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eParallel effects loops\u003c\/li\u003e\n\u003cli\u003eWet\/dry rigs\u003c\/li\u003e\n\u003cli\u003eStudio auxiliary sends\u003c\/li\u003e\n\u003cli\u003eMore complex routing systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eA Better Tape Transport\u003c\/h2\u003e\n\u003cp\u003eT-Rex refined the mechanical system of the D’Luxe around years of experience building real tape-delay products.\u003c\/p\u003e\n\u003cp\u003eThe D’Luxe uses a \u003cstrong\u003ebelt-drive motor suspension\u003c\/strong\u003e designed to reduce mechanical operating noise, along with a tape-lock mechanism intended to protect both the tape and pinch roller when the machine is not in use. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThese are not cosmetic updates.\u003c\/p\u003e\n\u003cp\u003eThey make a real mechanical tape echo more practical to own and use.\u003c\/p\u003e\n\u003ch2\u003eReplaceable Tape Cartridge\u003c\/h2\u003e\n\u003cp\u003eTape is part of the sound — and eventually, tape wears.\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe uses the replaceable \u003cstrong\u003eT-Rex Replicator Tape Cartridge\u003c\/strong\u003e, allowing you to install fresh tape without having to cut, splice, or thread your own loop. T-Rex still offers the cartridge as a service part for the D’Luxe and other Replicator models. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat is an important part of the Replicator design philosophy:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ereal tape echo that can actually be maintained.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTrue analog tape echo\u003c\/li\u003e\n\u003cli\u003eReal moving tape cartridge\u003c\/li\u003e\n\u003cli\u003eOne record head\u003c\/li\u003e\n\u003cli\u003eTwo playback heads\u003c\/li\u003e\n\u003cli\u003eShort-head delay range: 108–520ms\u003c\/li\u003e\n\u003cli\u003eLong-head delay range: 215–1000ms\u003c\/li\u003e\n\u003cli\u003eCombined-head operation\u003c\/li\u003e\n\u003cli\u003eTap Tempo\u003c\/li\u003e\n\u003cli\u003eSaturation control\u003c\/li\u003e\n\u003cli\u003eFeedback control\u003c\/li\u003e\n\u003cli\u003eDelay Level control\u003c\/li\u003e\n\u003cli\u003eKill Dry\u003c\/li\u003e\n\u003cli\u003eTrue bypass switching with gold-plated relay\u003c\/li\u003e\n\u003cli\u003eBelt-drive motor system for reduced mechanical noise\u003c\/li\u003e\n\u003cli\u003eTape-lock mechanism to help extend tape and pinch-roller life\u003c\/li\u003e\n\u003cli\u003eReplaceable tape cartridge\u003c\/li\u003e\n\u003cli\u003eIncluded 12V DC power supply\u003c\/li\u003e\n\u003cli\u003eHandmade in Denmark \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e True analog mechanical tape echo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord heads:\u003c\/strong\u003e 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback heads:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShort-head delay time:\u003c\/strong\u003e 108–520ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLong-head delay time:\u003c\/strong\u003e 215–1000ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;500kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 12V DC, center negative\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 300mA at 12V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum input signal:\u003c\/strong\u003e 8.7Vp-p \/ approximately +12dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Delay Time, Feedback, Delay Level, Saturation, Kill Dry, Short, Long, On\/Off, Tap Tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 3.15 × 6.85 × 6.89 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 80 × 174 × 175 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 3.31 lb \/ 1.50 kg \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e12V DC \/ 300mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe includes the correct T-Rex power supply and is ready to run right out of the box. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIts 300mA requirement also gives us another useful example of the \u003cstrong\u003ePower Budget\u003c\/strong\u003e principle:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatch the voltage.\u003cbr\u003eMatch AC or DC.\u003cbr\u003eMatch the polarity.\u003cbr\u003eMake sure enough current is available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA supply rated for more than 300mA at the correct 12V DC voltage is fine; the Replicator draws only the current it requires.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eBuilt to Be Supported\u003c\/h2\u003e\n\u003cp\u003eReal tape machines require real service parts.\u003c\/p\u003e\n\u003cp\u003eThat is why T-Rex USA supports the Replicator ecosystem with genuine replacement components, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReplicator Tape Cartridge\u003c\/li\u003e\n\u003cli\u003eReplacement pinch wheel\u003c\/li\u003e\n\u003cli\u003eReplacement drive belt\u003c\/li\u003e\n\u003cli\u003eReplacement hardware\u003c\/li\u003e\n\u003cli\u003eCompatible power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eT-Rex currently continues to offer these service parts for the Replicator family. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is exactly where I’d make the USA site exceptional:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn a Replicator? We intend to help you keep it running.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eHandmade in Denmark\u003c\/h2\u003e\n\u003cp\u003eReplicator D’Luxe is handcrafted in Denmark. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInside is a real electromechanical recording system — motor, belt drive, tape cartridge, record head, playback heads, pinch roller, and analog electronics working together.\u003c\/p\u003e\n\u003cp\u003eThat physical interaction is what gives the Replicator its character.\u003c\/p\u003e\n\u003ch2\u003eReal Tape. No Simulation.\u003c\/h2\u003e\n\u003cp\u003eThere are many excellent digital tape-delay emulations.\u003c\/p\u003e\n\u003cp\u003eReplicator D’Luxe is something different.\u003c\/p\u003e\n\u003cp\u003eThe tape moves.\u003c\/p\u003e\n\u003cp\u003eThe signal is recorded.\u003c\/p\u003e\n\u003cp\u003eThe playback heads reproduce it.\u003c\/p\u003e\n\u003cp\u003eThe repeats change as they pass through the mechanical system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThat is real tape echo.\u003c\/strong\u003e\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47020543574189,"sku":"10038","price":729.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Replicator_Front_1680x_33974e2a-c816-41b9-acfc-369910768578.png?v=1785442456"},{"product_id":"replica-dk-delay-t-rex-replica-delay","title":"Replica Delay","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Legendary T-Rex Delay, Reimagined\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTrue stereo delay. Analog feel. Modern control.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe T-Rex Replica is back.\u003c\/p\u003e\n\u003cp\u003eOne of the most celebrated pedals in T-Rex history has been rebuilt with a more powerful digital engine while preserving the immediacy, dynamics, and simplicity that made the original Replica so loved.\u003c\/p\u003e\n\u003cp\u003eAt its heart, Replica combines high-performance digital delay processing with an \u003cstrong\u003eanalog direct signal path and analog feedback circuit\u003c\/strong\u003e—giving you precise delay control without losing the feel of your core guitar tone. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eVintage or Modern\u003c\/h2\u003e\n\u003cp\u003eReplica gives you two distinct delay personalities.\u003c\/p\u003e\n\u003ch3\u003eVintage\u003c\/h3\u003e\n\u003cp\u003eVintage mode passes the repeats through a compressor\/expander circuit based on the first-generation Replica design.\u003c\/p\u003e\n\u003cp\u003eThe result is smoother, softer, more dynamic repeats with the familiar character associated with the original pedal. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eModern\u003c\/h3\u003e\n\u003cp\u003eModern mode opens the sound up.\u003c\/p\u003e\n\u003cp\u003eThe repeats are clearer, more direct, and more articulate—ideal when you want rhythmic definition or a cleaner contemporary delay texture. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTwo modes.\u003c\/p\u003e\n\u003cp\u003eTwo different ways to sit behind the dry signal.\u003c\/p\u003e\n\u003ch2\u003eTrue Stereo Delay\u003c\/h2\u003e\n\u003cp\u003eReplica is a \u003cstrong\u003etrue stereo delay\u003c\/strong\u003e, with left and right inputs and outputs for expansive stereo rigs.\u003c\/p\u003e\n\u003cp\u003eUse it in a traditional mono setup, or take advantage of stereo operation for wider ambient sounds, dual-amplifier rigs, and more complex signal chains. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eTap Tempo and Note Divisions\u003c\/h2\u003e\n\u003cp\u003eSet your delay time instantly with the dedicated \u003cstrong\u003eTap Tempo\u003c\/strong\u003e footswitch.\u003c\/p\u003e\n\u003cp\u003eThen use the Note Divider to choose between:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eQuarter notes\u003c\/li\u003e\n\u003cli\u003eTriplets\u003c\/li\u003e\n\u003cli\u003eDotted eighths\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThat makes Replica equally comfortable with simple slapback, spacious repeats, rhythmic delay patterns, and tempo-locked live performance. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eShape the Repeats\u003c\/h2\u003e\n\u003cp\u003eReplica gives you direct control over the parameters that matter most:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eECHO\u003c\/strong\u003e\u003cbr\u003eControls the amount of delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEAT\u003c\/strong\u003e\u003cbr\u003eSets the number and intensity of repeats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTEMPO\u003c\/strong\u003e\u003cbr\u003eSets the delay time manually.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVOLUME\u003c\/strong\u003e\u003cbr\u003eControls overall output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT GAIN\u003c\/strong\u003e\u003cbr\u003eLets you optimize the input level for your instrument and signal chain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHI-CUT\u003c\/strong\u003e\u003cbr\u003eRolls high frequencies out of the repeats for a warmer, darker delay sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVINTAGE \/ MODERN\u003c\/strong\u003e\u003cbr\u003eSelects the character of the delay repeats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE DIVIDER\u003c\/strong\u003e\u003cbr\u003eSelects quarter-note, triplet, or dotted-eighth timing.\u003c\/p\u003e\n\u003ch2\u003eMIDI Ready\u003c\/h2\u003e\n\u003cp\u003eReplica includes MIDI connectivity for integration into more sophisticated pedalboards and switching systems.\u003c\/p\u003e\n\u003cp\u003eSupported functions include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMIDI control\u003c\/li\u003e\n\u003cli\u003eMIDI clock\u003c\/li\u003e\n\u003cli\u003eTap tempo synchronization\u003c\/li\u003e\n\u003cli\u003eBypass control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThat gives Replica the flexibility to live equally well on a straightforward pedalboard or at the center of a more advanced MIDI-controlled rig. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eAnalog Where It Matters\u003c\/h2\u003e\n\u003cp\u003eReplica’s delay engine is digital.\u003c\/p\u003e\n\u003cp\u003eBut your \u003cstrong\u003edirect signal and feedback circuit remain analog\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThat design approach is central to the Replica philosophy: use digital processing where precision and flexibility are valuable, while preserving the immediacy and dynamic response of the original signal path. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTrue stereo delay\u003c\/li\u003e\n\u003cli\u003eHigh-performance DSP engine\u003c\/li\u003e\n\u003cli\u003eAnalog direct signal path\u003c\/li\u003e\n\u003cli\u003eAnalog feedback circuit\u003c\/li\u003e\n\u003cli\u003eVintage and Modern delay modes\u003c\/li\u003e\n\u003cli\u003eDedicated Tap Tempo footswitch\u003c\/li\u003e\n\u003cli\u003eQuarter-note, triplet, and dotted-eighth subdivisions\u003c\/li\u003e\n\u003cli\u003eHi-Cut control\u003c\/li\u003e\n\u003cli\u003eAdjustable input gain\u003c\/li\u003e\n\u003cli\u003eMIDI input\u003c\/li\u003e\n\u003cli\u003eMIDI clock support\u003c\/li\u003e\n\u003cli\u003eStandard 9V DC operation\u003c\/li\u003e\n\u003cli\u003eCompact dual-footswitch enclosure\u003c\/li\u003e\n\u003cli\u003eBuilt in Denmark from high-quality European components \u003cspan class=\"\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDelay type:\u003c\/strong\u003e Digital with analog direct and feedback paths\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModes:\u003c\/strong\u003e Vintage \/ Modern\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e Stereo L\/R\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e Stereo L\/R\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e 5-pin DIN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Echo, Repeat, Tempo, Volume, Input Gain, Hi-Cut\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitches:\u003c\/strong\u003e Vintage\/Modern, Note Divider\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFootswitches:\u003c\/strong\u003e On\/Off, Tap Tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;1MΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;1kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 9V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating voltage range:\u003c\/strong\u003e 8.5–12.5V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e 145mA at 9V DC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 3.9 × 2.2 × 4.7 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetric dimensions:\u003c\/strong\u003e 100 × 55 × 120 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.3 oz \/ 0.35 kg \u003cspan class=\"\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower Budget\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e9V DC \/ 145mA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReplica requires more current than many traditional analog pedals, so this is a good example of why understanding your pedalboard power budget matters.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFuelTank Classic:\u003c\/strong\u003e compatible as long as the combined draw of all pedals connected to the shared 9V section remains within the 500mA total budget.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFuelTank Junior:\u003c\/strong\u003e \u003cstrong\u003enot suitable on a single output\u003c\/strong\u003e because each output provides 120mA, less than Replica’s 145mA requirement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFuelTank Chameleon:\u003c\/strong\u003e compatible from a properly configured 9V output with sufficient current capacity.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eLearn more:\u003ca href=\"https:\/\/trexeffects.us\/pages\/understanding-your-pedalboard-power-budget\"\u003e Understanding Your Pedalboard Power Budget\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eA T-Rex Original\u003c\/h2\u003e\n\u003cp\u003eReplica became one of the pedals that helped establish T-Rex as a serious effects company.\u003c\/p\u003e\n\u003cp\u003eThe current version keeps the essential idea intact:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003egreat delay should be powerful without becoming complicated.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoose Vintage or Modern. Set the tempo. Shape the repeats.\u003c\/p\u003e\n\u003cp\u003eThen play.\u003c\/p\u003e","brand":"T-Rex Effects USA","offers":[{"title":"Default Title","offer_id":47106186576045,"sku":"10010","price":289.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0781\/0849\/1949\/files\/T-Rex-Effects-Replica_Front_1680x_e04aaedf-692d-49bb-b1ee-91afb031b0e3.png?v=1785444890"}],"url":"https:\/\/trexeffects.us\/collections\/delay.oembed","provider":"T-Rex Effects USA","version":"1.0","type":"link"}